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I begin by quickly putting down color notes in an abstract series of shapes. I move from big masses of color to smaller areas, refining forms and shapes through values ( light to dark) as I develop the oil painting.
I have particularly enjoyed painting aerial landscapes whereby I fly in a small plane and take digitals of the terrain from the air at approximately 1500 feet altitude. The unusual perspective provides a unique view of our mother earth. My work is presented to the client as framed art in most cases.
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AERIAL PERSPECTIVE 12 X 12 |
BRANCHING 12 X 9 |
KOKONEE SALMON 36 X 24 |
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LATE AFTERNOON-CHILENO VALLEY 30 X 40 |
NAPA VALLEY 60 x 48 |
SALMON-TAYLOR CREEK 12 X 9 |
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SPAWNING SALMON 12 X 9 |
SUN'S LAST MOMENTSDIPTYCH 36 X 72 |
THE SLEDDING SPOT 12 X 16 |
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THE WOODS 12 X 9 |
Violet and White 11 x 14 |
RABBITBRUSH AND SAGE 8 X 20 |
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AUTUMN'S VIVID HUES 16 X 20 |
ABOVE POINT BONITA 16 X 20 |
COOL CLEAR WATER 9 X 12 |
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CREEKSIDE 9 X 12 |
BLUE SAGE 9 X 12 |
MOMENT IN TIME 36 x 48 |
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EMERALD BAY 11 36 X 48 |
THE RUBY MOUNTAINS 16 X 20 |
ROUNDUP 24 X 36 |
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VIRGA 24 X 36 |
LAST LIGHT 12 X 16 |
LIONESS 36 X 48 |
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HAWKEN FIRE 36 X 48 |
3 DAYS OLD-BOB GIACOMINI RANCH 9 X 12 |
REFLECTIONS ON THE TRUCKEE |
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RHINO IN NGORONGORO CRATER 36 X 44 |
ROSEBUD 12 x 16 |
NATURE'S FURY 16 X 20 |
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PJ'S LUCKY STRIKE' 12 X 9 |
TAYLOR CREEK 20 X 16 |
LAMOILLE CANYON-THE RUBY MOUNTAINS 9 X 12 |
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PLUMMER'S PEAK II 26 X 33 |
WHAT A RACK! 12 X 16 |
WILSON PEAK FROM MOUNTAIN VILLAGE |
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LAMOILLE CANYON 40 X 30 |
ASPEN AND PINE 40 x 30 |
REFLECTIONS 40 x 30 |
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LONE PALM 13 X 11 |
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